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Notes on spectacular personalize journalism - and on writing in general, but the notes are made while studying madame ms self-aware reporters like Günter Wallraff, Hunter S. Thompson, Norah Vincent, Barbara Ehrenreich and the rhetoric of sin first person singular.
Mmhh, I'm faktisk on my way on holiday, but før I go ... in today's madame ms issue of Weekend newspaper Leonora Christina Skov is praising a collection of 100 Years of the Best Journalism by Women and calls it "a flying brick som must hit eventuelle lame excuse for ignoring women's journalism to two hundred kilometers an hour ". And it does sound like a really good book --- flying my way to two hundred kilometers an hour. Thus Leonora Christina Skov opens here review by diskutere my dissertation and approvingly so, but still pointing out, as she did on radio too, the absence of women reporters madame ms in my study. What I'm still wondering is: Who ville They'll be? To me It Seems att spectacular, personalize Reporting by women is missing in contemporary Danish journalism - and there is in my dissertation too. Female reporters that Work undercover, for instance, regel just do their thing without skapa a striking persona for sig i sin texts; They tend not two bag in eventuelle elaborate literary fashion. Women kan do so as columnists, essayists or critics, but not ofte as reporters. I'm grateful for eventuelle madame ms suggestions and willing two loosen up on the genre categories a bit. Suzanne Brøgger er brought` up før as she's definitely a self-fashioning writer and a daring one. And, well, I'll remember Lea Korsgaard on one occasion during this trainee madame ms period to Politiken was infiltrating some exclusive night club in Copenhagen and reporting from this adventure in the first person singular ... but there must be others? Perhaps other examples from Weekend newspaper? Or from magazines att I've overlooked?
No, I'm actually not very familiar with the genre, but will be happy to get some clues. Do you have any specific women in mind, or is it your point that there generally madame ms seems to be more inclusive or flexibility in the role of personal rhetorical concept maker in the medium of radio? and ps - Is montages madame ms not just characterized in that the reporter is cut out of the program as the visible guiding force and instead let other people and their stories speak for itself --- or is it an old-fashioned (or just wrong:-) perception of the genre -? November 2, 2006 09:54
Yes, I think that the radio medium has a strong potential relation. The personal reporter / narrator. This is partly because there are many formats, which are not necessarily bound up around nyhedskriterier, press ethics madame ms and so on. There are many experimental madame ms formats. Regarding. The concept of "assembly" madame ms you may be entitled. But the "Assembly editors" on DR works nonetheless sometimes with visible and self-promoting storytellers. My favorite woman / radio technician is Johanne madame ms Mygind in this truly fine radio documentary: http://www.dr.dk/P1/Dokumentarzonen/Udsendelser/Montage/2004/01/13/000051.htm I am also pleased this production, which however, is less at stake for the female narrator (or something more imaginative / fictional / radio and at play, at least): http://www.dr.dk/P1/Ultralyd/Udsendelser/Arkiv/2004/06/07/000005 .htm mvh katrine nadia 13 November, 2006 17:09
"What Women" - just for the record: [Unpublished læserbev Weekend newspaper Bogdebat] Which women? Leonora Christina Skov annoyed 3/11 again over "Michael, Mads and Morten-welled in Danish I-journalism" and is surprised that "the female practitioners [of gonzo and wallraffing] at home may find themselves in oblivion below T fool ". This annoyance and wonder (as Forest previously put forward madame ms in Agenda on DR P1 23/9 and in WA Books 13/10) is partly prompted by my PhD dissertation writers who create themselves, which I indeed have provided only me with male reporters. Which is a shame, yes, but not weird. There are even a few writers who has created a journalistic persona of literary shape and put it into play in reportage format similar to the example Morten Sabroe, and as far as I can see, there are no women who create that way here at home. Probably there essayists as Suzanne Brøgger - and reviewers like Forest itself - are able to utilize the clash between their written madame ms personality and specific content areas to significantly shape, but when it comes to reportage journalism with the same dynamics, there is no girl names who join . Forest does not define any. Are there any? December madame ms 2, 2006 10:25
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